India Journal—Filthy and Exhausted—Return to Delhi

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11 January 2013

Joe and I have certainly gone mad. Ever since he chewed pan in Jaipur the back of his tongue doesn’t work. It’s funny, but also a little bit worrying.

We cannot pay bills without making mental errors and our conversations have become increasingly erratic and predominately about not bathing, not using toilet paper, and smelling like masala and general funk.

“I’m going to rent a room for an hour in Delhi before our flight out to take a shower.” Joe said to me on the bus out of Amritsar.

“Okay,” I said, “We’ll see what happens in Delhi.” I hadn’t much faith.

The past while I’ve been telling myself that I’m used to wiping my ass with my hand, but it has been a long-standing lie.

I haven’t taken a proper ‘water falling over my head’ shower in over two weeks. My last warm shower was ten days ago. My last cold bucket shower was a week ago. I dream of warm water and clean toilets and drinking water out of the faucet. These are gifts, luxuries of the 1st World that I’m cognizant of and want to utilize, enjoy and savior very much, and for the rest of my life. I’m going to get home and turn the tap on and watch its gliding clean silver pipe cascade into the sink. This I will definitely do.

So anyway, Joe cannot talk and I keep running into things. I’ve bruised both knees, smashed my thigh into the corner of a glass table, and cracked my shin on the corner of our bed frame in Delhi twice. I’m a walking disaster, an absolute Western time bomb of tired, and exhausted, and missing his friends, and missing his work, and missing fresh salads, and of course hot showers.

But, I’m happy. Actually, absolutely happy. Fucking happy. I think India gifted me with this strangely bizarre feeling in my heart that I can only refer to as optimism. I find this ironic, all considering, but life is ironic, and that is where the bulwark of its hilarity, joy and meaning seems to spawn.

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14 -13 = 99

Dear Grandma,

There was this one time when I was young and in love that you told me a story about when you were young and in love. You were in the kitchen simmering milk when grandpa got home from work and the two of you started dancing in the kitchen. Your arms bumped into the saucepan and spilled the milk all over the floor. But, instead of cleaning up the mess you and grandpa paid no attention and kept on dancing on top of it. You said that when you’re in love nothing else matters besides moments like those. I imagine now, since your passing yesterday, that you and grandpa are dancing together again, not caring about the spilled milk, or of time, or of anything. You can stay in that moment forever. Your waiting is finally over. 

Your Grandson,

Josef

INDIA JOURNAL—DEATH ON THE ROAD TO DELHI

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January 8th 2013

There was no more fire blanket in Agra. No more mixing of heat waves and smog. Garbage fires burned like tea lamps. Seven boys and a full-grown cow hovered over a dying flame smoking on the street beside a burned out garage to keep warm. We mixed with the cold fog that suffocated the dirt alleyways. The soot soaked precipitation: an amorphous breath storm of nothing, pasted us to the walls, and we roved within it like moving pictograms appear to float in air.

A tuk-tuk chariot dropped us to the bus stop an hour early—an hour 45 in Indian time. We killed the added minutes conversing with two Germans about a tourist wearing a hospital mask taking pictures of a cow eating garbage on the side of the road. Some travelers here keep their head behind a camera, their senses hidden, everything at a distance to remain unaffected and deaf to the present.

We boarded the bus and sat in the very front. Above our heads, a 23-inch television sat precariously inside a cube cutout, propped up by a bible to keep it from falling forward. The bus was over-booked, so there was predictable chaos. Loud words slowly settled into begrudged acceptance. The Germans got on late and had to sit with our 22 year-old driver and his friends. Sardines were running this tin can. Two hours later we fought our way out of Agra proper, and the clock started. This was not going to be a 4-hour bus ride to Delhi.

The highway was a devil’s promenade. Grain trucks, hatchbacks, and motorcycles followed the dragon’s tongue north. The lizard’s cheeks were caked with bulbous sores of poverty—shacks, and camps, and mud hovels inhabited by the damned by circumstances beyond their control. It’s their birthright.

4-hour in, we had progressed 60 kilometers out of the 170 to Delhi. Endless tongue and timeless flatness swallowed time and left us stranded. I was fighting to finish the last two sections of On the Road: Kerouac’s decent into Mexico. At that moment I didn’t share his fascination or his feelings of freedom. Maybe two weeks ago when I was caught up in the bright storm of Bangalore’s flower market, but not now, not on this grey dead road, not on this rusted bus. The breaks hit, we slowed.

I saw the truck veer, the van pull, I saw the motorcycle flip and tumble like a weed of clipped springs. I saw the body of a young man lay like a baby on its side. He had baby feet. Their naked soles, fresh and pink, lay one on top of the other, toes curled in rest.

Time stopped because traffic stopped. Horns blared like trumpets calling the dead to action. Young men leapt from their hatchbacks and motorcycles and surrounded the baby, and like boys, stood there apprehensive to pick up the gentle soul lying so vulnerable and fresh. So, he just lied there alone. Like kings with myrrh and frankincense, the men on the bus all wanted to look at the child, they wanted to see the first born introduced to the world on the tip of the lizard’s tongue, in this universe that had lost meaning. I wanted to see the baby too, but just his feet.

Why no shoes? I asked myself. Why on earth would you ride a motorbike with no shoes on?

Our driver had a schedule to keep and forced his way to the shoulder to pass. The feet were no more, just a pulverized head lying bent back, an ugly retched throwaway face, no longer a beautiful baby boy. The apprehensive boys took pictures with their phones. I saw shoes stranded up the road.

I did something I haven’t done in years. I prayed. I prayed so hard that I curled up like a baby boy in my stomach and wished for the dragon to blow a breath and end this all right now. But, the devil sleeps in Delhi, and we were yet not close enough for him to care.

INDIA JOURNAL — JODHPUR — THE BLUE CITY

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JANUARY 2, 2013

The sun is about to rise in Jodhpur. The amplified prayer coming from the mosque down the street woke me up. The incessant honking of tuk-tuks and motorbikes has already begun. Towering above our guesthouse posited on the side of a cliff is a colossal stone fort capping its crown. This blue city is possibly the most beautiful city I’ve ever seen.

I’m sitting on my hotel’s roof above everything. Before me stands so many mud brick buildings on top and beside each other that you could bounce an echo from an alleyway at the north end of the city to the south without it leaking east or west on account of how tightly they’re packed. If the hand of god shook this place it would shatter. I pray that it never does because it’s too holy and blue.

The moon is on my back still, and the re-born sun is in my eyes. I’ve been away from home long enough that it’s beginning to melt; and India—this strange world—has become what’s real. The mosques, the Hindu temples, the faces and languages I don’t know, I know. I know what the slumbering beggars are dreaming, and what the howling dogs are screaming, but to be honest I don’t any longer know what Americans are thinking, nor the challenges that face me upon my return to New Zealand. Yet, I’m excited about accomplishing what I can manage. But for now it’s just me and this city of blue.

THOUGHTS ON THE WHITE WHALE

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My uncle Jed has always referred to Melville’s Moby Dick as a cathedral. The allusion filled my mind with images of leaky high vaulted ceilings and sopping wet church pews strewn with seaweed. Like the sea, I imagined the novel to be an ocean. I figured it to be near impenetrable and too vast for me to fathom. Since my early twenties I’ve often considered taking up the challenge, but always hesitated, telling myself that I’m still too young to read Melville’s masterpiece.

More times than not we read a particular novel because it’s recommended or given to us. Often our next read is laying on a table or a counter top when we’re between books and we figure that it’s worth a look. However, there are also times when a book finds you. The times when a novel so happens to fall on your lap and for no good reason you open it and it somehow seems to be tailored to your current life — it’s a remarkable occurrence that defies mere coincidence. It‘s as if you needed it and the novel gods tucked a special something under your pillow for you to find in the morning.

I found Moby Dick, or rather Moby Dick found me, after I had recommended it to a friend. I had no idea why I had recommended a book I’ve never read to a friend, but he seemed desperate to engage in some kind of material that mirrored his own feelings of being lost at sea. The more I thought about it, I realized that I was recommending Moby Dick to myself.

It was over two weeks ago that I was rummaging through my brother’s nightstand for a lighter when I found a 1961 paperback edition of the novel partially exposed under the corner of his bed. I would like to say that it was glowing, but in reality it looked incredibly worn out and ready to burst at the seams. As I’ve been coasting through it, pages have come loose from the spine and drifted to the floor; this particular copy will most likely never be read by another.

For four of the past five years I’ve been living outside of the United States. My hometown of Seattle—the beautiful emerald city in which I grew up in—by my mid-twenties began to feel like a prison. I felt landlocked, beaten down by the monotony of sameness that often plagues an adventurous spirit when he or she is in one place for too long. I moved to Ireland and licked Dublin’s cobblestone streets. I returned to Seattle to loose my marriage and then flew as far away as I could to New Zealand in search of whatever it was that was missing from my life.

Moby Dick is told from the perspective of Ishmael: a young man on a three-year whaling expedition captained by the mad one-legged Ahab. It’s not long after the Pequod pushes out enroute to the South Pacific that the crew comes to realize that they’re a means to execute Ahab’s obsession to find and kill the elusive white whale whom took his leg some years before. Ahab’s obsession becomes the crew’s ultimate goal as well; and as their ship sails deeper and deeper into the nothingness of the sea, the greater the myth of the white whale grows, until the sperm whale becomes an enigmatic monster of the deep. The leviathan transcends his massive bodily form and becomes a metaphor.

The white whale…

I had a dream as a teenager that I was sitting on a thick limb of a powerful tree looking out onto the Puget Sound when surfaced a giant white whale under the reflection of a full moon. The moonlight emanating from his slippery white skin filled me with a feeling that everything in my life will work out, and that success and happiness will accompany every endeavor I choose to explore. I’ve always remembered this dream as it was the most powerful dream I’ve ever had. I never knew that Moby Dick was a white whale until I begun the novel.

So, the deeper I crawled into the book the more vivid my recollections of this dream became. And beyond, the further into the book I sailed, the clearer the reflections of my time in Ireland, and the most current memories of New Zealand, returned to me. Faces, landscapes, moments of joy, or sorrow, of peace and war leaped from the pages in the strangest of ways.

The description of a sperm whale’s skeleton reflected the roads, alleyways, byways and trails I’ve traveled. The ship’s young lookouts becoming mesmerized by the expanse of the sea and overanalyzing its meaning while standing precariously on top of the Pequod’s main mast at the expense of their falling, awakened me to how I have overanalyzed the many components of my life that I have no control over. Likewise, Captain Ahab’s obsessiveness reminded me of my own slip into codependence that as of late I’ve found a terribly embarrassing feature I’ve acquired through the loneliness of travel. The sea itself, as depicted in the novel, became the vast openness of life. The white whale: the elusive corpus of meaning that I’ve been hunting for since I left home.

Ahab’s monomania subjugates him from everyone else and walled him inside his cabin. He speaks of nothing else, thinks of nothing else, but the white whale. All the interactions available to him, the sea of possibility that he drifts aimlessly on, the plethora of other whales caught by the crew and rendered for their precious oils, is ignored; and so the whole world it seems is passing him by. He is not living, but yet alive. Reading on, Moby Dick, the metaphor, became too huge to ignore. Without realizing it, my own story became enmeshed in Ishmael’s narrative. I was no longer reading a novel as much as I was reading into myself.

The white whale I chase is the unattainable measurement I have applied to what it means to be living life to the fullest; the whale is the impossible standard of intellectual potential I fail to match; the unrealistic parameters I’ve applied on loving and being loved; the unfair expectations I place on others. So what is the white whale really?

Ishmael joined the Pequod in search of adventure. However, his adventure became ensnared in the obsession of another. Conversely I’ve found, in the hunt of what it is to be a man, that I’ve been a man for a while now, but acting under the naive and impossible assumptions of manhood founded by the boy that dreamed of the white whale years before. The white whale is exactly enigmatic, mythical, and a monster because he is a complete waste of time. The whale symbolized everything that opposes living; he is the ghost we chase in the dark; the fractured echoes of the past that cannot be changed. He is the hurt and the pain that we hold onto instead of living. At some point the hunt has to stop. The present must prevail.

It’s funny how a book can hurt then heal you. It still amazes me how deep the form can dig into one’s life. The novel has the power to expose to each and every one of us the inner workings of the human condition. It has the ability to find you.

I suppose I had to come home to break a cycle. I’ve been leaving things for too long now. Chasing ghosts and taking for granted the many gifts I’ve been given by so many amazing people. I think it is time to start going places for a change. My adventures are not nearly over. New Zealand for example was a place I went to in order to run away from somewhere else, and because of that, I began to destroy myself like Ahab let the white whale destroy him. I was lonely even when surrounded by some of the most amazing people I’ve ever met. All for the sake of chasing down an idea of a man that I already was.

For now I know that from now on home is wherever I am. There is no need to worry about anything else. No doors are closed. New Zealand is always there and so is everywhere else. A novel taught me this.

“Thus, I give up the spear!” -Ahab

INDIA JOURNAL — DESPERATE DAVE — MUMBAI

Dave is from Manchester. He’s an alcoholic. Dave’s an alcoholic in love with a beggar. He said to me that he’s been offered sex for as little as three Rupee. He’s a Manchester City fan. He said that he’s been in Mumbai for six weeks; the bar manager at the Alps Tavern said he’s been living in the train station for 5 years. Dave says a lot of things.

Everyone in Colva knew Dave. The businessmen, the bar men, the beggars, the rug salesmen, even the dogs. The men at the Western Union knew Dave very well.

That’s how Joe and I met the skinny, chinless man I called desperate Dave. We were eating at the Alps when he invited himself to our table and said that he was desperate and needed help. He needed to get his money held up in the Western Union.

His eyes shifted nervously as he told us his sad story and his accent became chewier the deeper he took us down his well. To get his money he needed a name and an address so the money could be wired to someone beside himself.

“Why?” Was the question Joe, the two Aussies we had meet at the hostel, and myself asked. “This bloody beggar that I thought was my friend stole my passport.” He said.

Dave said that all Indians are liars and cheats.

The Aussies wanted no part in it, but Joe being Joe wanted to see where this was going to lead and agreed. I actually didn’t mind because Dave’s fear was honest enough and he appeared far too high strung to actually pull off a legitimate con. So I said to Joe, “Go for it.” But that my signature stays in my hand, so don’t ask me for nothing.

Dave got smashed quickly and we went outside for a cigarette and he knelt down nose-to-nose with a three year-old beggar girl and yelled in her face to fuck off and go home — home being a mat beside the curb on the opposite side of the road. She just laughed at him. Enraged, Dave picked her up and her two year-old brother and threw them over his shoulders and walked them across the street to where their mother was asleep in the dirt.

Supposedly Dave gets angry when he drinks. But I get angry when drunks exercise their insecurities. He was lucky to have read my stare right when he returned, and he apologized. He said when he gets his money he’ll get us drunk.

The next evening I accompanied Joe and desperate Dave to the Western Union and while they were dealing with that mess I saw that there were phones there and I wanted to call home but I knew it was too late there. Under the circumstances it wouldn’t have been the best idea anyway.

Anything with Dave is possible and sure enough the name on the money transfer didn’t match Joe’s name, as it was still in Dave’s, so Dave had to call his mother in Manchester to sort it out. Joe and I got a beer with Dave while we waited for the money to be re-wired, and found Dave when sober to be quite the pussy cat, of course—just a starved alley cat too afraid of life to live it; killing himself slowly to end it.

Dave got his money. We walked off into the haze of Mumbai’s night. Two hours later, when we were trying to make a night out of New Year’s Eve, we ran into Dave on the steps of the Alps, pissed drunk and probably broke again. He looked lost in thought, wondering when the next Joe Stockman would arrive off of the steel trains willing to help.

We counted off the new year at the Georgian gate on the harbor—exactly where we started our time in Mumbai—then headed back to the hostel and listened to the fireworks explode in our ears, the taxis honk continuous, and the cheers rattle off the brick façade of the Taj Mahal Hotel until morning. Then we left it all behind. Left Dave behind us for good.

THE SIMPLE TRUTH ABOUT A LION

I’m fully aware that I’m their driver. That’s what I get paid for. They tell me where they want to go and I take them there. It’s a transaction. They want to see the city; I take them through the neighborhoods. They want to go to a view; I can do that too. The glass that separates the front seat from the rest of the limousine best defines our roles; it’s just me captaining the vessel, I’m employed so the beautiful people can consume their champagne and not have to pay attention to the road. In this regard the tint to the window between compartments obstructs any empathy between us, and casts only a reflection. They can only see themselves, which I suppose, since it’s their adventure, is fair. They can’t see my face and I’m too busy to focus on theirs, which is natural and obvious and for the best I suppose. Our relationship is transparent, a means to an end; at least I know it to be so.

I’m not a taxi. And it may surprise you that the variation of passengers I pick up is quite limited. There’s the affluent couples: their subsets demarcated by age. The young preload on cheap champagne and wine before having me drop them at a swanky pizza parlor. And often in these scenarios the drunker the young man in the back gets, the greater his urge to impress his girl. He wants to know my name, thinking that if we are on a first name basis that he can ask me to pick them up more liqueur; to deviate from the schedule and pick up more friends; to ignore his brutish and suggestive advancements on the poor girl that has found herself alone with a spoiled brute.

The twenty-somethings are not the easiest, but the best. They love hard and hate hard and show it on their jacket sleeves and gown straps. They are by far the most honest, at least if they let themselves be honest about their fleeting youth. They drink heavily to understand each other. Spend coin to understand fine food. Talk about the failures of their friends as if they are immune to the same fates. There’s an optimism that comes with a young couple when they forget about the rest of the world and create their own. I wish it lasted longer because it is a beautiful thing to watch.

The married are different. Some happy, some not; but contentment and stalemate look the same behind the glass. The mundane details of the day become something to ignore, but an impossible vehicle not to use to steer conversation with. They look out the window more. Observe the passing buildings, the October trees shedding leaves, the down and outs picking through garbage cans. They are affected and tip well.

The elderly couples on their way to the opera, or to their favorite restaurant, say little but often are in love with the gentle stream of long love. They burn the bottom of the limousine’s seats like coals. If I could just take the twenty-somethings, and the breathless old lovers, I would be happy. It would be like observing flame and then embers without the dying.

***

Tonight is cold and cloudless. I’m off to East Moyer, an affluent neighborhood where the streets are lined with ancient chestnuts whose thick trunks stand strong and tangled like a giant’s hand holding a bouquet up from the ground. The brick side streets glow from the street lanterns casting yellow light down from above. Off the bluff lies the black Atlantic swallowing itself. The mighty houses here in Moyer make ants out of the multiple SUV’s parked in their driveways. Their interiors are particular and clean. Their white walls are adorned with original artwork, mantels dresses with antique clocks and family portraits, bookcases crammed with first editions and folios belonging in museums, liqueur cabinets stocked to elude to refined control and temperance. Or at least, this is what I imagine.

I park outside of 1118 Harbor and wait. The first to open the door is a young man in a suit accompanied with a young brunette woman in a black sequined dress. To follow is a pressed white shirt buckled down with suspenders, and a good-looking upright young man in a waistcoat and bow tie. Their dates push out the doorway also in sequins, feathers and furs. Their dress, laughter and the scattered nature of their departure tell me that they’re in their mid-twenties, off to dinner then a costume party, and have depleted the gin stockade from the liqueur cabinet.

“My good man!” The suit says to greet me, “Can you tell what decade we’re from?”

He’s grinning, happy, full of himself and it is fine. He’s olive skinned, hair thick and parted well. The soft brown in his eyes picks up the yellow light emanating from the brick street and I like him for it.

“Chase. Chase Velo.” He shakes my hand. “There are my fools for the night. Don’t we look so? We’re off to Franco’s for dinner and then the Metropolitan for a ball. Did you collect the champagne?”

“Indeed Mr. Velo, it’s on ice as you asked.”

His fools stand together looking more like tonight’s chosen children. The regal blond in yellow and a feathered headband cuts in the pause.

“Chase, we allowed to smoke in the limousine? It’s cold.” She asked, crossing her naked arms, and squeezing them, pretending I wasn’t there. Her strong features but soft manner is perhaps an indication of her personality, strong and tender-hearted, all in one.

“What do you say driver? How is it?”

The waistcoat with a face cutout like a lion came in before I could answer no.

“Classless Lucy… really.”

I remained looking at her, she faked unaffected, her eyes neglecting the twitch indicative of a prior bad decision she’s now believes she’s stuck in. She was the unfortunate. The silence that followed his remark from the others meant that he’s a cutter. Chase showed restraint, looked at his date, as she looked at the ground. The lion was one of those types that cares less for a girl to make them want him more, and it works somehow, but all for all the wrong reasons. Funny how you just know, sometimes.”

“You’re welcome to smoke outside at anytime, miss.” I said to damn the lion. “I can pull over when and wherever you like.”

“My kind of driver!”

I looked to the soft voice that said it. Tall, dark, a slipping glacier of finger waves pasted to the side on her temple. Lips meaty, and I knew then that she was with the bold looking young man tied up in suspenders. Why, because all his words I could tell stayed in his month as something to chew on. She was the talker.

“We can smoke outside the restaurant. Lets stop wasting time.”

“Vivienne called it.” Chase said, giving me a wink as if I was to understand his girl’s needs as well as the rest.

“Let’s crack the champagne!” She said looking up from the ground.

I opened the door and watched them group together, Chase letting Vivienne in first, Bee the talker leading in her bold boy, and the lion leaving Lucy at the end of the chain.

***

Four bottles of Clicquot spared of their worth and the beautiful twenty-somethings cascade out of my limousine in the same order they entered. Vivienne with tempered grace, Chase with eager flames in his eyes, Bee a fresh application of lipstick, her bold boy, frank barely able to hold in his intoxicated identity, The beautiful lion dim eyed, and Lucy steady like the champagne had made her sober. Chase opened a silver case and passed out cigarettes to his fools and lit each one before his own.

“Driver.” He shouted. I’m one leg away from reentering my vehicle. “Come have a cigarette with us.”

I’ll always share a cigarette with my clients. It’s the least I can do, and I like Chase, and really all of them, including the lion, even if I have the feeling that he’ll break my heart by the end of the night.

I refuse Chase’s offer and pull and light one of my own cigarettes. Bee smiles and asks.

“I don’t want to call you driver; it’s so rude I think. What’s your name?”

“…”

“Soft, but strong.” bee laughs, “Love it, fits you.”

“Could have we found a better driver?” Chase praises.

Lucy looks at her lion looking at Vivienne. Frank watches Bee turn into a future bedtime dream. Chase sees Vivienne’s chin lift the skyscraper on the other side of the street. I see them all loving hard and hating hard under the surface.

They ask me questions about their predicament, about the future when this moment will subside into long workweeks without the energy to pretend. I tell them to forget about that and live in the 20s. They loved that and walk into the restaurant excited to be dressed like they were from a better time, drunk with the belle epoch illusion, excited by the ideal of being inhabited by the ghosts that made life a meal.

I parked on the exposed roof of the parking garage the next block over and looked out upon the bead-lit city. For every light there is a body at least. And for every body there’s a potential to love, love like the love I’ve felt for so many women in my past. I don’t know why I’m just a driver, something of a facilitator, a guy in a suit with a map in his head of every side street that makes up the city. What about my potential? Maybe just as I drive without a destination for myself, I want to watch life proceed without any invested interest. That so, I don’t drive at all, after all. Maybe because I’ve hurt too many and have  been hurt too often. I’m protecting myself. I wouldn’t want to be the one to collide with this limousine.

I get the call to return. Start the night again.

The fools slowly meander out of the restaurant. The chain is breaking and the night is still young. Chase and Lucy come out first. They’re drunk. Lucy no longer refined; something inside has happened. They talk like they’ve known each other longest. Chase is the one to sooth the situation. Vivienne, Bee and the bold follow. There is no lion and I gather this is where the masks break.

The skyscrapers grow taller. I get out of the car and offer cigarettes to the three so Chase can do his work. But Lucy asks in a dull voice, to hide any register of anger.

“Where is Vic?”

“At the bar talking about himself.” Bee says out the corner of her mouth as I light her cigarette.

Then I do the last thing I’d ever expect. It was the look of disgust on Bee’s beautiful face, the hardening of Lucy’s; the moment where I saw that Chase loved two women and Vivienne knew. When Frank said out loud that the lion is an asshole, as if offended.

“’I’ll get him.” I said. “I know the bartender’s here anyway, not a problem.”

I didn’t wait for an answer. I walked into the foyer, passed the host, and cut through the clatter of silverware and crossed conversations, to enter the bar. There the lion sat with a scotch, a young woman checking her phone next to him, and a bartender raising an eyebrow at me, instinctually knowing who I was looking for.

“Vic, isn’t it? We’re waiting for you.”

“Well wait then.” He said smugly. “I’ll be right out.”

“Lucy is waiting for you.”

“She can wait.”

The young women looked up from her phone, looked at me, said please to meet you and that I have your number to Vic, and then left for the bathroom.

“Have you paid your tab?” I asked.

“Aren’t you the driver?” Vic bit. “What is the driver doing telling me what to do? Have a drink with me instead. I’ll pay.”

“Finish up and lets go.”

He looked into my eyes, searching for a weakness, and sure I have a few, but not for him, not now.

“You think I’m arrogant don’t you? Well, that’s not it. And even if I’m wrong, I can say at least that women love it. You may not, but what do I care about that? Did you not see the woman that just left? Did you not see her? See, you wouldn’t believe what arrogance can get you.”

“You’re drunk.”

“Yes I am, but did you not?”

“Yes I did. Now come on, Lucy is outside.”

“Chase can have her. Take her home, do whatever he likes. Doesn’t matter much. She’ll tire of him within days.”

“That’s none of my business.” I said. “Lets go.”

He drained his glass, stood up, swayed, and walked passed me to the entrance.

***

I walked behind the lion deciding if I’d let the glass break between my passengers and I. However, what business is it of mine to interfere in the lives of others? And Vic had a point, a sick point about his character. His arrogance did make him desirable. He is desirable. Something about his defiant features and his inability to care about the feelings of others over his own needs makes him a bastion for broken spirits. And if I could feel it, then anyone else could, Lucy must, and must hate herself for it. His friends must hate him too but love what knowing him can give them. It’s an evil thing, security, especially when every one of us is insecure except for a person like Vic. Loving him must feel substandard, but in the real word the hungry follow. I decided at that moment when he exited the door that I hated him like I loath myself.

The slap came loud. Lucy put everything into it. The lion laughed.

“Go fuck yourself.” Lucy yelled.

I could see the slap wasn’t just about the girl at the bar, but for everything.

He laughed harder and grabbed Vivienne around the waist. She fought out of it.

Chase came in between Vivienne and the lion.

“What the hell was that, Vic?”

The punch came quick and Chase was down on the sidewalk. Bee got in his face and he pushed her down easily. Lucy pushed him back and he slid his hand across her face and went to grab her hair.

“What are you trying to do!” Vic yelled.

And before I could step in Frank took hold of the lion’s mane and thrust his nose into the granite wall of the restaurant, Lucy trailing within his grasp. But when the head hit, the hand released, and the body fell loose. Frank stood over him, huffing loud now that all the words that had been caught in his mouth were expended. And Bee looked at him terrified, and Lucy looked at the blood espousing from her true love, and Vivienne looked at the sleeping lion wishing that he would wake up a saint, and Chase felt unloved because he was bleeding too, but alone — and I, standing there feeling helpless knowing now that there was so much more to this story then I could ever have imagined.

Vic came to, looking at his friends as if unaware of what happened, and rested his back up against the building staring off into space. Lucy put her hand up to his face and he pushed it away and she tried to put it back, while she sobbed, but he grabbed it and threw it away again while Chase longed for it because Vivienne had walked away.

The lion refused help and staggered to his feet. Spit blood in the direction of his friends as he trailed off. And I refused to walk after him because he didn’t deserve any attention at all. We all watch and admired.

“Where you going?” Bee yelled at him.

“To the fucking ball.” He said and slowly faded away down the street.

The rest of us sat devastated on the sidewalk, all dressed up with nowhere to go but home.